Winter 2024 – Nonfiction

In Crash Test Dummy, Rose Mason delivers the universal anxiety of driving and thrusts with a tone so frank and forthright that the emotional dreamscape of subconsciousness and the clinical morbidity of facts merge together, inviting the reader along the inner-most routes of the narrators mind only to confront them with critical questions about male-oriented road safety that leaves the female driver and passenger inherently in danger.

Spring 2023 – Nonfiction

Saltwater, or how witchcraft led me to address my guilt and grief by Madeleine Brown Saltwater, or how witchcraft led me to address my guilt and grief is an excellent piece of creative nonfiction which we are very proud to have published in the Spring 2023 Issue of Spellbinder. Overall, Saltwater is a beautifully written… Continue reading Spring 2023 – Nonfiction

Winter 2023 – Non-fiction

Alone with a Book is an excellent piece of creative nonfiction which we are very proud to have published in the Winter 2023 Issue of Spellbinder. Overall, Alone with a Book is really lovely, well-written and funny, but it doesn’t stop there. In this piece, the author Stephanie Shi beautifully examined the loneliness and connection… Continue reading Winter 2023 – Non-fiction

Writing Routes

The literary arts is a very broad field which this post will attempt to navigate. This is designed to encourage you to experiment with different forms and submit work to our magazine that does not fall into the more common categories of the short story and the poem, although we love receiving these too! Poetry… Continue reading Writing Routes

Summer 2021 – Nonfiction

Hamantaschen ‘Like today, last Hanukkah was another of my faltering attempts to mark a holiday we’d never celebrated as children, with gaps in space and memory filled in using the internet. I learned to pronounce the prayers from a YouTube video, and met up with my sister over Zoom each night to light a menorah… Continue reading Summer 2021 – Nonfiction

Spaces and Places

Read on if you are interested in activities relating to the construction of settings in fiction works or the production of travel writing as a nonfiction genre. The setting of any piece of fiction is extremely important and will make a huge difference to the type of work you end up writing. To practice the… Continue reading Spaces and Places

Spellbinder and ENIGMA in collaboration: Tips from the Editors

This is a very special blog post to celebrate the collaboration of Spellbinder magazine with Exeter University’s creative writing society and their literary journal, ENIGMA. Spellbinder has been fortunate enough to receive a number of submissions from the talented student community in Exeter, a number of which have been published in the Winter and Spring… Continue reading Spellbinder and ENIGMA in collaboration: Tips from the Editors

Reflections and Resolutions

This post will offer some guidance to help you respond to the following Spellbinder Instagram prompt, and will be especially useful for nonfiction writers and photographers. Write or draw something about the month of January. What does this month mean to you? Now that it is over, do you feel relief or pressure? Take this… Continue reading Reflections and Resolutions

Winter 2021 – Nonfiction

Where Hell Seems a Heav’n: Tracing Milton through NBC’s The Good Place ‘I would argue that NBC’s The Good Place is deeply rooted in the writings of John Milton, the internationally-renown 17th-century poet, polemic, civil servant, and intellectual. A number of prominent lines, character concepts, and fundamental themes from Milton’s lapsarian epic Paradise Lost underlie… Continue reading Winter 2021 – Nonfiction